At some point last year, I took an interest in Copic markers, a set of markers meant to be used to shade drawings. Usually, if you color a picture, while markers produce vibrant colors, the same bold color makes it difficult to shade or blend the markers if you have so few. Luckily, Copic sells 358 different colors of markers, which may be an overwhelming selection until you learn about the codes they grant each color. Every Copic marker has an alphanumeric code which tells you the appropriate way to use it if you shade, usually in the form of “R24” or “BG13” or something like that. The letters correspond to the color family of the marker (for example: “R” for red, “B” for blue, “BG” for blue-green / cyan / teal, “E” for earth colors), the first number identifies a brightness / shade / “purity” within that color family, and the last digit tells how light or dark the color is (0 is the lightest, 9 is the darkest). It reminds me of the hue, saturation, and luminosity values when you pick colors on a computer, except it can now be applied to ink. Apparently, you can shade with these markers by layering several colors of the same “hue” and “saturation” but different “luminosities”. It was an intriguing concept (which I only discovered last year), and I was curious about these markers.
Unfortunately, Copic markers are quite expensive. If a concrete arts & crafts store sells them, individual Sketch markers are about $8 each. Packs of three, six, or twelve sorted for their shading purposes are obviously more and not much of a discount (if any), and they are sometimes gated off from the rest of the merchandise. Since I arguably spend more time making art through the computer rather than physical prints (which I should do), I was unsure how often I would use these markers and which ones. Copic drawing in real life may not work so well, so I took a different approach to testing these markers.
I searched online for a complete color palette of Copic colors I could load into Photoshop. Copic provides the palette themselves, and the colors from that look just like the colors displayed on the website. However, after testing them out their palette, I thought the colors I got from it were too light and faded. Though I have not gathered many Copic markers, I did receive a few for Christmas, and compared to what I was seeing on the screen, the real deal seems much darker and more vibrant. Thus, I kept searching online for substitute palettes, preferably one made by the real markers.
Eventually, I found this chart from a DeviantArt account called Jad-Ardat, where the uploader organized every single marker into a graph and colored each square with the appropriate color. They put a lot of work into this, and I am grateful they did, because these shades looked much closer to what I was seeing from the markers I had used. I decided (once I blended the inside of each square because it was still noisy in most of them) to use this palette and test it on my drawings going forward this year.
 |
| Final Design Possibilites: near-white-blue (porcelain) vs pale blue (frost) |
For one of my first drawings with these Copic colors, I decided to test them on my little moon mage, Sakura Miyazaki, but I also tested these colors because I have been considering a redesign for Sakura’s palette before I start working on my “Lucids” stories. Eventually, I ended with the images below as my finalists, and I would love some feedback on which version you prefer. Before that, though, an explanation for why I would recolor one of my classic characters.
